MAIDJAD Volume 3

INTEGRATING ART, SCIENCE AND TECHNOLOGY IN EDUCATION

A.A. Mbahi.

 

DEVELOPMENT OF ART AND CREATIVITY

Tijani Iyabo Khadijah

PROPOSITIONAL CONCEPTS FOR INDIGENOUS SCULPTURAL FORMS

LAMIDI Abdul Lasisi

 

SCULPTURE AS RECORD AND VISUAL TESTIMONY OF NATIONAL DEVELOPMENT

IN NIGERIA

Kevin Samuel Damden

 

CREATING EMPLOYMENT THROUGH THE PERFORMING ARTS THE AN OPEN AND DISTANT

LEARNING (ODL) SYSTEM

Onyeka Iwuchukwu

 

THE CONCEPT OF “DEUX-EX-MACHINA” IN CONFLICT RESOLUTION IN SELECTED

NOLLYWOOD MOVIES

Rasheed, Olaitan Lateef/Kunle Abogunloko

 

RELEVANCE OF ART HISTORY TO ART LEARNING IN NIGERIA

Ladi Onyi Andrea AGADA

THE EXPLORATION OF BALANCE IN EQUESTRIAN FORMS WITH CHARCOAL

IN SCULPTURE

Gershon Paul/ Ken Okoli

 

THE IMAGE OF WOMEN IN SELECTED WORKS OF CONTEMPORARY

NIGERIAN PAINTINGS

John Otu

 

WASTE SYNDROME: A LOOK AT AYO AINA’S INSTALLATION ART

Obadofin Samuel Bamidele/Prof. Philip Obed Gushem

 

A REPORT ON AN ADIRE PRODUCTION WORKSHOP AS AN INTERVENTION FOR SKILLS

ACQUISITION AND POVERTY ALLEVIATION AMONG YOUTHS OF OTTO / IJANIKIN IN

LAGOS STATE NIGERIA

Bakare, Olayinka Olumide

 

ANALYSIS OF MOTIFS AND PATTERNS IN FULANI BODY DECORATION IN ADAMAWA STATE, NIGERIA

Yahaya, Muhammad Sani

HISTORICAL ORIGIN OF THE EBIRA CHAO MASKING AND MASQUERADE TRADITIONS

Lawal, Lamidi Aduozava/Saliu, A.R./Duniya, G.G.              

PUBLISH OR PERISH; THE ARTIST’S EXPERIENCE: A FOCUS ON AUCHI POLYTECHNIC

Esebameh G. / Otimeyin P. / Osariyekemwen D.

 

MIXED MEDIA TECHNIQUE IN GRAPHIC ILLUSTRATION

Felix Onaiwu Osaigbovo/Collins Ogieva Izogie

              

THE ROLE OF ART CENTERS: A LOOK AT PATRICK IGHOGBEDHERE AGOSE’S WORKS

AND INFLUENCE IN THE UNIVERSAL STUDIOS OF ART, LAGOS, NIGERIA

Augustine Okolo BARDI

 

ANALYSIS AND INTERPRETATION OF DIVORCE BY BISI FAKEYE

Njoku, Kenneth Iheukwumere

 

METAPHORICAL ROOT FORMS OF CASSIA TORA IN PAINTING

Stephen Achugwo

 

 

AN APPRAISAL OF THE 2017 ART AND CRAFT EXHIBITION IN ABUJA, NIGERIA

Obadofin Samuel Bamidele/Emodi Anthony Izuchukwu

              

A REVIEW OF TRENDS AND DEVELOPMENTS IN CERAMIC FUELS AND APPLICATION

OF BIOGAS IN CERAMICS KILN FIRING IN NIGERIA

Ezra Abubakar/Y.O. Sadiq

EFFECTS OF SOCIAL MEDIA ON INDIGENOUS TEXTILES AND NIGERIAN FASHION INDUSTRY

Chika Chinyeogwa Chudi-Duru

 

THE PLACE OF CERAMIC MATERIAL IN TECHNOLOGICAL DEVELOPMENT

Tser Helen

 

AESTHETIC ANALYSIS OF AHMADU AGYO’S EPHEMERAL PAINTINGS

Okoli Ken O. /Dogara, Francis Taro

EXPLORATION OF SELECTED FROG PATTERNS IN PAINTING

Zumnan Sekuk

A REVIEW OF THE THERAPEUTIC EFFECTS OF MAKING AND APPRECIATING WORKS OF ART

Okah, Okah Ebriba/ Amokaha, Gabriel Salemkaan/ Akaegbu, Ijeoma Rhoda

 

THE USE OF SHADOW AS TECHNIQUES AND INSPIRATION IN ART PRACTICE

Satsi Leni Eleanor/ Otu John

 

ASPECTS OF TIV CULTURE AND ITS RELEVANCE TO CONTEMPORARY THEATRE PRACTICE

IN NIGERIA

Jacob Shimrumun Ioraa

 

FEMINIST ACTIVISM AND SOCIAL ORDER IN NIGERIAN DRAMA

Rowland C. Amaefula

 

 

ANALYSIS OF MODERN AND POSTMODERN ARTS AND CULTURE OF PEOPLE OF EDO-NORTH

Akprara Osakor Amos

 

THE NIGERIAN PUBLIC AND THE MUSEUM: AN ART HISTORICAL PERSPECTIVE

Saliu, A.R. / Anaso, Kenechi U

 

SYMBOLIC SYNOPSIS OF MUA’ZU MOHAMMED SANI’S SELECTED PAINTINGS

Dingba, Suzan Anthony/ Samuila, Ezra Rabo

SOCIO–POLITICAL RELEVANCE OF TRADITIONAL ARTS IN AFRICA: A SNIPPET REVIEW

Ladi Onyi Andrea Agada

PERFORMANCE, STYLE AND DIRECTORSHIP: REFLECTIONS ON TUNJI AZEEZ’S

STAGING OF SOYINKA’S DEATH AND THE KING’S HORSEMAN

Olympus G. Ejue

VISUAL ARTISTS’ EXCHANGE WITHOUT BORDERS: FURTHERING ACADEMIC INTERACTION

VIA SOCIAL MEDIA

Kingsley O. Emeriewen /Olushola Timothy Ogunfuwa

TECHNOLOGY AND PAINTING IN THE SERVICE OF CULTURE

CULTURE AND IDEOLOGY IN NIGERIAN HOME VIDEO FILMS: THE QUESTION FOR IDENTITY

Nwazue, Uwaoma Chimezie

 

INTRODUCTION TO GENERAL DRAWING: PATHWAY TO GROOMING THE NEXT GENERATION

OF VISUAL ARTISTS

Jacob Enemona Onoja

 

CREATIVITY AS AN IMPETUS IN THE DEVELOPMENT OF THE NIGERIAN CHILD

Samuel Gregory Effiong

 

ORGANIZATIONAL CULTURE AND THE PERFORMANCE OF SELECTED BUSINESS

ORGANIZATIONS IN BENIN CITY

Igbeta Clifford/ Ofuokwu Faith O./ Musah Ishaq

ANALYTICAL REVIEW OF AESTHETICS AS IT RELATES TO ARTS, SCIENCE AND RELIGION

Nadir A. Nasidi/Abdulsalam Samirah A

 

CHILDRENS’ EDUCATIONAL TELEVISION PROGRAMMES: A VIABLE FOUNDATION FOR EFFECTIVE PRIMARY LEVEL EDUCATION IN NIGERIA

John Zaitu/ Peter Sale/ Bonaventure Goji Zirra

 

A REVIEW OF MATERIAL AND NON-MATERIAL CULTURAL ASPECTS OF EBIRA PEOPLE

OF KOGI STATE, NIGERIA

Sadiq Adeiza Shehu/ Samaila Simon Shehu/ Sadiq Lawan

 

AN ANALYSIS OF RHYTHM AND YORUBA CULTURAL ASPECTS IN THE

WORKS OF KUNLE FILANI

Feyisara Sunday Omolola/ Stephen Fọlárànmí

 

TIN MINING ACTIVITIES ON THE JOS PLATEAU AND POTTERY DEVELOPMENT:

YESTERDAY; TODAY AND TOMORROW.

Gukas H. J

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