The Performative Expression in a Conflict Environment’– Agenda Setting For the National Troupe of Nigeria

Prof Sunday Enessi Ododo, fsonta.

Repositioning Art for Nigeria’s Technological Advancement

Akprara Amos Osakor

Contemporary Nigerian Art: An Analysis of Avav Joshua Aondona’s Painterly Exploration of Kwagh-Hir Masquerades

Prof. Gushem O. Philip and Avav Joshua Aondona

Cultural Diversity and Social Integration: The Role of Tertiary Institutions in Promoting Peace in Nigeria.

Fatimah Mohammed Palmer (Ph.D)

Careers in Printing as a Means of Diversifying Nigeria’s Economy

John Zaitu, Abba Musa Ya’u and Bonaventure Goji Zirra

Reflections on the Transformation of Contemporary Art and Its Impact on Nigerian Artists

Ejiofor, Ifeanyi. N and Oluwole, O. Afolabi

Atiku Jelili’s Art Performance and Sculpture: A Tool for National Transformation.

Kevin Samuel Damden

An Analysis of Emmanuel Wesley Okachi’s Selected Commissioned Works

Muhammad, Aliyu (Ph.D) and Zephaniah, Ulau Jemimah

Challenges of Visual Communication in Nigerian Art Paintings

Johnson Adelani Abodunrin (Ph.D)

Problem of Script Writing and Scene Design in Kannywood Movie Industry

Audu, Nurat Tosin

Creativity in Art: Cornerstone to Industrialisation in Nigeria.

Zainab Bala Mohammed (Ph.D) and Yunusa Mohammed (Ph.D)

Exposition on Techniques of Sculpture Designs and Craftsmanship

Ndubuisi Chinyere (Ph.D)

Free Activity Method Of Teaching Cultural And Creative Arts. 

Hamsatu Saleh (Ph.D) and Peter .T. Tugbokorowei

Practice-Based Methodology: A Means to Explore Charcoal Market in Painting Using a Restricted Palette

Joshua, John Oyedemi

Parents Attitude and Value for Art:  A Case Study of Maiduguri Metropolitan Council (MMC) Borno State, Nigeria

Alewai Jidai Mamza (Ph.D)

Reconstructing Perception of the Female through Cartoon Strips

John Otu (Ph.D)

Socio-Political Functions of Ife Traditional Sculptures

Lamidi, Lasisi (Ph.D) and Adegboyega, Oyelakin Stephen

Themes And Moral Lessons In A Nigerian Tragic Drama: A Study of Stella Oyedepo’s Doom in the Dimes

Jacob Shimrumun Ioraa, (Ph.D)

Creating Play Sculptures Using the Gourd Fruit Form

Deborah Maikarfi

Theatre: A Veritable Tool for Mobilizing Youths for Sustainable Democracy in Nigeria

Idoko, Abraham Ajene, (PhD) and Ukuma, Teryila Shadrach       

Symbolic Referents in Landscape Painting: A Thematic Analysis of I See Africa

Harrison Idahosa

An Analysis of the Works of Sati Panshak Yilwat

Alawode, Musa Ajibola

Production Ergonomic Trends and Challenges in the Nigerian Printing Industry: A Case Study of Ndahi Press,

Zaria – Nigeria

Zirra Bonaventure, Gwari Bako (Ph.D) and Sale Peter (Ph.D)       

Students’ Perception of Portfolio Assessment in Faculty of Environmental Design, Ahmadu Bello University,

Zaria, Nigeria.

Bello Usman Amsami (Ph.D) and Hamsatu Saleh (Ph.D)

The Fruit and the Spiritual: An Appraisal of ‘Praise’

Aondover Gabriel Gyegwe (Ph.D)

Pricing Of Artworks: Auction versus Exhibition

Stephen Achugwo

Francis Uduh: A Professional Sculptor and Art Education Instructor Universal Studio of Art, Lagos, Nigeria

Augustine Bardi (PhD)

Beliefs and Perception of Masquerades and Ancestral Screens of Rivers State

Okachi Wesley Emmanuel, (Ph.D)

Beyond Functionality: An Appraisal Of “Sculpted Buildings”

Avav, Joshua Aondona and Uzoji, Godwin Okechuku

Netizen: The Aporia of ‘Power Tales’ In Contemporary Nigerian Society

Okoronkwo Ikechukwu Francis and Nics Ubogu (Ph.D)

The Child’s Creative Genius and Nigerian Educational System

Tijani Iyabo Khadijah (PhD)